Frequency Response; 20Hz – 20kHz (+/-3dB) Equivalent Noise Level; 18dB A-Weighted Sensitivity at 1kHz into 1kohm; 23.7mV/Pa Pad Switch; -10dB Low-Cut Filter; 80Hz The base of the mic houses the XLR output, as well as a mic-stand thread for use without a shockmount. This same design also avoids having wide vertical support posts that reflect sound within the capsule housing — a known cause of high-frequency bumps and dips in the response curve. The views expressed are those of the contributors and not necessarily those of the publishers. To some degree this is to be expected, of course, and many other mics behave similarly, though for male vocals you may be better off recording without the filter and then applying one in software with a slightly lower cut-off frequency, as the in-built filter thins out the low end quite significantly. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. It is sold in a padded cardboard box. Despite the zinc being a soft metal and prone to crossthreading, the design of the threads makes that unlikely. Very affordable — and it comes with a free Rycote shockmount for the first few months. A multiple award-winning mix of beauty & British engineering excellence. Why Are Some A-B Stereo Arrays Angled Outwards? Top-of-the-line electronic components, such as the WIMA capacitors often found in boutique models, are used in the design, and the housing is also unusual in that the conventional basket has been replaced by a stainless-steel ‘spring’ cage structure that is not entirely rigid. While not departing too far from convention other than in its basket design, the Origin manages to deliver a clean and solid sound that is slightly flattering but without adding undue harshness. Open chords ring out clearly and carry immense power, although barre chords and finger-picking-style playing starts to feel a little muted in comparison. Mastering Essentials Part 3 - How loud should I master? The mic has a large-diaphragm, center-terminated capsule. A discrete Aston logo denotes the hot side of the mic. On acoustic guitar, with the mic placed about a foot from the 12th fret, angled at 90 degrees to the neck, the V1 voicing sounds huge. During testing, Aston claims the capsules have an approximately 80% rejection rate. The Aston Origin is a cardioid-pattern microphone with a one-inch diaphragm diameter and has a -10dB switch and an 80Hz LF Roll-off switch. - Frequency Response: 20 Hz - 20 kHz (+/-3 dB) - Equivalent Noise Level: 18dB A-Weighted - Sensitivity at 1 kHz into 1 kohm: 23.7 mV/Pa - Maximum SPL for THD 0.5%: 127 dB - Signal-to-Noise Ratio (rel. Specifications The frequency response is 20Hz-20kHz (±3dB), and there’s a very gentle presence hump centred at around 10kHz in both cardioid and omni modes to add a little airy detail to the sound. Length: 175mm/6.89” Width: 54mm/2.13” With the filter in, popping is reduced to the point that it can be considered negligible, but in the studio I’d probably choose to leave the filter off and still add an external pop shield. The capsule is made in China, selected and tested in England. It is also the first British-built microphone we’ve encountered at this price. All rights reserved. The noise level is higher than some competing large diaphragm condensers, but it wasn’t high enough to cause any problems. Inside the spring structure is a fine stainless-steel mesh that is reasonably effective in reducing popping, and which can be removed for cleaning when necessary by removing the cast top plate of the microphone, which is held in place by two cap-head bolts. If the name of this new company evokes an iconic British brand, that’s perhaps appropriate — for Aston design and build all their mics in the UK! What is a "hybrid" audio interface anyway? The Origin is a side-address, cardioid-pattern mic with a one-inch diaphragm diameter, and is fitted with both a -10dB pad switch and an 80Hz LF roll-off switch. The Aston Origin is a large diaphragm, fixed-cardioid, transformerless condenser microphone, designed and assembled in the UK. Although Aston Microphones are a new company, the people behind the brand have no shortage of experience in this market. In my experience this is particularly true of female vocalists as, in general, they have more high-frequency complexity in their voices.